未来传播

电影工业美学理论是在新时代中国电影的现实背景下,对"电影是什么"这一问题的重新思考。作为一个基于"二元对立"又超越了"二元对立"情境的理论构架,电影工业美学在强调工业意识觉醒的同时,也呼唤着美学品格的坚守。文章以对李立先生的争鸣文章进行回应为契机,继续探索建构中国特色电影工业美学的可能路径。通过梳理电影工业美学的历史脉络、理论依据与现实需求等状况,以超越"二元对立"的学理精神剖析电影工业美学的理论内涵,阐释电影工业美学作为一种理论体系的建构可能性,及其与"国家电影理论"和"中国电影学派"等的复杂关系,对电影工业美学理论体系建构的可能向度与发展空间进行了进一步的思考。

The aesthetic theory of film industry is a reconsideration of "what is film"under the realistic background of Chinese film in the new era. As a theoretical framework based on "binary opposition"and beyond the "binary opposition "situation,film industry aesthetics emphasizes the awakening of industrial consciousness,but also calls for the adherence of aesthetic character. This article takes the opportunity of responding to Mr. Li Li's contentious articles,and continues to explore the possible way to construct the film industry aesthetics with Chinese characteristics.By combing the historical context,theoretical basis and realistic needs of film industry aesthetics,this paper analyzes the theoretical connotation of film industry aesthetics in order to transcend the "dualistic opposition"and explain the possibility of constructing film industry aesthetics as a theoretical system,as well as its relationship with"national film theory"and"Chinese film theory". The complex relationship between the school and other schools further considers the possible dimension and development space of the theoretical system of film industry aesthetics.